This provides the inspiration behind this album, the sequel to 'Brahms the Progressive' Volume 1: traversing time in two directions, looking at Brahms from the perspective of the modern Viennese, and looking at the Second Viennese School from the perspective of Brahmsian romanticism.įor Pina Napolitano there are romantic echoes in the works of the Second Viennese School an enormous expressive force distilled and compressed, all the way up to Webern's rarefied language where even the silences are charged with music and significance. This is what Schoenberg invites us to do in his essay, 'Brahms the Progressive', in which Brahms, often considered a musical "conservative", becomes instead the father of modernism. $ įor the exceptional Italian pianist Pina Napolitano, there is no better way of looking at art and history than through the lens of inverted time, from the present to the past.
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